Sixteen more comedy albums were released within a few years, selling well over a million copies combined, though none achieved the massive acclaim of his first

two groundbreaking albums. With outrageous titles like "I Can't Believe I Ate The Whole Thing," "The Streaker," "Dolemite for President," and "Dolemite is Another Crazy Nigger" his releases were always held under the counters at record stores. However, what really took the public by surprise were his outlandish and incredibly daring record covers, which always featured Moore and several women seminude in hilarious and suggestive poses. This by far helped his

releases gain the status they achieved since these records were not teasing you and gave you "more than you came for!"

Moore's comedy albums were always recorded at his home instead of in a club. He would invite his friends over, serve drinks, with an engineer there to record the proceedings. This quickly gained him the title "The king of the party records."

releases gain the status they achieved since these records were not teasing you and gave you "more than you came for!"

Moore's comedy albums were always recorded at his home instead of in a club. He would invite his friends over, serve drinks, with an engineer there to record the proceedings. This quickly gained him the title "The king of the party records."